Thundercat – It Is What It Is
TRACKS:
A1 Lost In Space / Great Scott / 22-26
A2 Innerstellar Love
A3 I Love Louis Cole
A4 Black Qualls
A5 Miguel's Happy Dance
A6 How Sway
A7 Funny Thing
B1 Overseas
B2 Dragonball Durag
B3 How I Feel
B4 King Of The Hill
B5 Unrequited Love
B6 Fair Chance
B7 Existential Dread
B8 It Is What It Is
DESCRIPTION
“It Is What It Is” is produced by Flying Lotus and Thundercat, features musical contributions from Ty Dolla $ign, Childish Gambino, Lil B, Kamasi Washington, Steve Lacy, Steve Arrington, Badbadnotgood, Louis Cole and Zack Fox. 140g cream vinyl LP housed in a 3mm spined sleeve with gold foil detail and OBI strip.
“It Is What It Is” follows his game-changing third album “Drunk” (2017). That record completed his transition from virtuoso bassist to bonafide star and cemented his reputation as a unique voice that transcends genre. “This album is about love, loss, life and the ups and downs that come with that,” Bruner says about “It Is What It Is”. “It’s a bit tongue-in-cheek, but at different points in life you come across places that you don’t necessarily understand… some things just aren’t meant to be understood.”
The unruly bounce of new single ‘Black Qualls’ is classic Thundercat, teaming up with Steve Lacy (The Internet) and Funk icon Steve Arrington (Slave). It’s another example of Stephen Lee Bruner’s desire to highlight the lineage of his music and pay his respects to the musicians who inspired him. Discovering Arrington’s output in his late teens, Bruner says he fell in love with his music immediately: “The tone of the bass, the way his stuff feels and moves, it resonated through my whole body.”
‘Black Qualls’ emerged from writing sessions with Lacy, whom Thundercat describes as “the physical incarnate of the Ohio Players in one person - he genuinely is a funky ass dude”. It references what it means to be a black American with a young mindset: “What it feels like to be in this position right now… the weird ins and outs, we’re talking about those feelings… Part of me knew this [track] was where Steve [Arrington] left us.”